“In print, you have two or three
seconds to capture someone's attention. If you lose the consumer in the first
second, you've lost 'em. Period.” (pg 220) However there is time for me to consider my
audience’s attention through television commercial. I need to capture their
attention immediately and if I don’t I usually have a window of five to seven
seconds to get it back. Keep in mind every television commercial is 30 seconds
long. “Carried
through any campaign, there must be a distinct core idea, an underlying central
concept or related ideas—one could call it a theme (a distinct recurring,
unifying idea) or story.” (pg. 192) I have to
stick to one theme; an artistic aesthetic that involves someone who is
ordinary, someone you would normal see out on the streets. Using a celebrity in
any ad can be risky, you always have to pick one that everyone is familiar
with, someone who is within budget and someone who you know can deliver your
message in your campaign. “A television
commercial has to do several things to get people to watch and to keep them
from zapping or texting or retrieving a snack or checking their e-mail or doing
something else.” (PG 219) Showing an ordinary
person can catch everyone’s attention (most of the time but not all the time),
“Oh I like what she’s wearing” or “hey I have that same scarf” they relate to
the star in the commercial, if they see a celebrity in the ad the audience
knows that there is no way they can get the clothes they are wearing or any of
their accessories.
“In marketing, we use storytelling
about a brand or group to communicate related messages that, over a period of
time, will distinguish, differentiate, reflect positively, construct or
contribute to its brand personality, be memorable (stick), resonate, and
influence people.” (pg 193) Every story starts out as an idea and from
there you start to build a story. My idea came from the nail brush from the
nail polish bottle from there I came up with the thought of “Everyone can be an
Arist”. As for a television ad I didn’t know what to think about the first few
ideas of having a girl just paint with the small brush as canned. Then I
thought about what if my commercial had a girl who was fashionable walk in to a
museum with her friends. They’re walking having fun, having intellectual
discussion among one another. Then they split up to different parts of the
museum. One of the girls stands and admires a painting, she thinks about it and
puts her hand to her face, trying to find out what the artist a women passes by
and looks with her but she isn’t quiet admiring the same art. Across the way a
man tilts his head and sees what the women sees as well. From there other
people start to notice as well; but what is it? The women walks closer to the
girl, she brings out her camera and then snaps a photo of her hand. Soon after
spectators start to do the same and the tagline appears “Everyone can be an
artist” with OPI.
The commercial setting is perfect;
everyone expects to see people gaze at paintings but what’s so special about
the girl who’s looking at it? And why is everyone staring at her and not what
she’s looking at? Ultimately the viewer
should see that not every canvas has to be on the walls of a museum or a house.
It can be anywhere!
No comments:
Post a Comment